Unseen Prose - Additional prose

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Instructions

Read the following extracts before clicking on the prompt and extract buttons and discussing the questions.

In this early 20th century short story, William (a London lawyer) has travelled down to the coast for the weekend to be with his wife, Isabel, their children and Isabel’s friends.

"Hillo, William!" She was at the station after all, standing just as he had imagined, apart from the others, and—William's heart leapt—she was alone

"Hallo, Isabel!" William stared. He thought she looked so beautiful that he had to say something, "You look very cool."

"Do I?" said Isabel. "I don't feel very cool. Come along, your horrid old train is late. The taxi's outside." She put her hand lightly on his arm as they passed the ticket collector. "We've all come to meet you," she said. "But we've left Bobby Kane at the sweet shop, to be called for."

"Oh!" said William. It was all he could say for the moment.

There in the glare waited the taxi, with Bill Hunt and Dennis Green sprawling on one side, their hats tilted over their faces, while on the other, Moira Morrison, in a bonnet like a huge strawberry, jumped up and down.

"No ice! No ice! No ice!" she shouted gaily.

And Dennis chimed in from under his hat. "Only to be had from the fishmonger's."

And Bill Hunt, emerging, added, "With whole fish in it."

"Oh, what a bore!" wailed Isabel. And she explained to William how they had been chasing round the town for ice while she waited for him. "Simply everything is running down the steep cliffs into the sea, beginning with the butter."

"We shall have to anoint ourselves with butter," said Dennis. "May thy head, William, lack not ointment."

"Look here," said William, "how are we going to sit? I'd better get up by the driver."

"No, Bobby Kane's by the driver," said Isabel. "You're to sit between Moira and me." The taxi started. "What have you got in those mysterious parcels?"

"De-cap-it-ated heads!" said Bill Hunt, shuddering beneath his hat.

"Oh, fruit!" Isabel sounded very pleased. "Wise William! A melon and a pineapple. How too nice!"

"No, wait a bit," said William, smiling. But he really was anxious. "I brought them down for the kiddies."

"Oh, my dear!" Isabel laughed, and slipped her hand through his arm. "They'd be rolling in agonies if they were to eat them. No"—she patted his hand—"you must bring them something next time. I refuse to part with my pineapple."

"Cruel Isabel! Do let me smell it!" said Moira. She flung her arms across William appealingly. "Oh!" The strawberry bonnet fell forward: she sounded quite faint.

"A Lady in Love with a Pineapple," said Dennis, as the taxi drew up before a little shop with a striped blind. Out came Bobby Kane, his arms full of little packets.

"I do hope they'll be good. I've chosen them because of the colours. There are some round things which really look too divine. And just look at this nougat," he cried ecstatically, "just look at it! It's a perfect little ballet."

But at that moment the shopman appeared. "Oh, I forgot. They're none of them paid for," said Bobby, looking frightened. Isabel gave the shopman a note, and Bobby was radiant again. "Hallo, William! I'm sitting by the driver." And bareheaded, all in white, with his sleeves rolled up to the shoulders, he leapt into his place. "Avanti!" he cried...

After tea the others went off to bathe, while William stayed and made his peace with the kiddies. But Johnny and Paddy were asleep, the rose-red glow had paled, bats were flying, and still the bathers had not returned. As William wandered downstairs, the maid crossed the hall carrying a lamp. He followed her into the sitting-room. It was a long room, coloured yellow. On the wall opposite William someone had painted a young man, over life-size, with very wobbly legs, offering a wide-eyed daisy to a young woman who had one very short arm and one very long, thin one. Over the chairs and sofa there hung strips of black material, covered with big splashes like broken eggs, and everywhere one looked there seemed to be an ash-tray full of cigarette ends. William sat down in one of the arm-chairs. Nowadays, when one felt with one hand down the sides, it wasn't to come upon a sheep with three legs or a cow that had lost one horn, or a very fat dove out of the Noah's Ark. One fished up yet another little paper-covered book of smudged-looking poems... He thought of the wad of papers in his pocket, but he was too hungry and tired to read. The door was open; sounds came from the kitchen. The servants were talking as if they were alone in the house. Suddenly there came a loud screech of laughter and an equally loud "Sh!" They had remembered him. William got up and went through the French windows into the garden, and as he stood there in the shadow he heard the bathers coming up the sandy road; their voices rang through the quiet.

(Katherine Mansfield, Marriage a la Mode 1922)

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